As part of Factory Direct, an exhibition at ArtSpace in New Haven, Connecticut, I was paired with United States Surgical, a manufacturer of sutures and wound-closure devices, to produce a work at the intersection of art and industry. I chose to focus on the way the employees noticed, remade, and reassigned meaning to the items they worked with every day. The  reframed objects  were documented in large photographic prints, both in context in the employees  workstations and on their own as glorified artifacts.
Project Photography by Harold Shapiro
Printing by Duggal New York

Reframed Objects: U.S. Surgical, 2004 – 2005
HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

HOPE GINSBURG Reframed Objects: U.S. Surgical, 2004 – 2005

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