FELLOWSHIPS, GRANTS, AND RESIDENCIES
2021

Artist Residency Award, Film/Video, Wexner Center for the Arts (2020, 2021)

The Ohio State University Women & Philanthropy Grant, Wexner Center for the Arts for Meditation Ocean

Anonymous Was A Woman Award Nominee

2020

Joan Mitchell Foundation Painters & Sculptors Grants Nominee

2019

Art Works, National Endowment for the Arts, University of South Florida Contemporary Art Museum for Sponge Exchange

The Andy Warhol Foundation for the Visual Arts, University of South Florida Contemporary Art Museum for Sponge Exchange

Kennedy Family Artist and Scholar Residency, School of Art & Art History, University of South Florida College of the Arts

2018
Film/Video Studio Program, Wexner Center for the Arts
Virginia Museum of Fine Arts Visual Arts Fellowship
Arts Research Institute Fellowship, Virginia Commonwealth University School of the Arts
2017
Anonymous Was A Woman Award Nominee
Robert Rauschenberg Foundation, Alumni Residency Project Support
2016  
Film/Video Studio Program, Wexner Center for the Arts 
2014
Rauschenberg Residency
2013
The Harbor, Beta-Local
2011 
Art Matters Foundation
2007   
The Harold and Arlene Schnitzer Prize in the Visual Arts, MIT
Laya and Jerome B. Wiesner Student Art Award, MIT
Council for the Arts, MIT
1997         
Skowhegan School of Painting and Sculpture

SOLO EXHIBITIONS AND PROJECTS
2023

Meditation OceanWexner Center for the Arts, Columbus, OH (upcoming)

2020
Sponge Exchange, University of South Florida Contemporary Art Museum, Tampa, FL
2019
Swirling, Collaboration with Matt Flowers and Joshua Quarles, Arts Research Institute, Virginia Commonwealth University School of the Arts, Richmond, VA
2016
Land Dive Team: Bay of Fundy, The Box, Wexner Center for the Arts, Columbus, OH 
Breathing on Land: Bay of Fundy, Temple Contemporary, Distinguished Alumni Mentoring Exhibition, Philadelphia, PA
2015
Land Dive Team, The Complex(ity) Project Space, Narrowsburg, NY 
2010 – 2016
Sponge HQ, Anderson Gallery, Richmond, VA
2014
Indoor Observation Beehive, Collaboration with Eric Stepp, Temple Contemporary, Philadelphia, PA
2011
Hope Ginsburg, CUE Art Foundation, New York, NY
2009    
Center Sponge, Center for Advanced Visual Studies, MIT, Cambridge, MA
Incident Report #23, Incident Report, Hudson, NY
2008  
Spongespace, Solvent Space, Richmond, VA
2007  
Sponge CPW, MIT, Cambridge, MA
Sponge IAP, MIT, Cambridge, MA
2005    
Double Dare, Julia Friedman Gallery, New York, NY
2000  
Recent Work, Parlour Projects, Brooklyn, NY

GROUP EXHIBITIONS AND PROJECTS
2022

Visual Natures: The Politics and Culture of Environmentalism in the 20th and 21st Centuries, Museum of Art, Architecture and Technology, Lisbon, Portugal 

New Earthworks, ASU Art Museum, Tempe, AZ 

Parallax Effect: Shifting Perspectives on the Climate Crisis, Cade Center Gallery, Anne Arundel Community College, Arnold, MD

Salutary Sculpture, Laumeier Sculpture Park, Saint Louis, MO

2019
Science Fictional Thinking, A Guide to the Field, Mountain Dale, NY

At the Flat Screen, The Franklin Outdoor, Chicago, IL

Factory, A Guide to the Field, Mountain Dale, NY

2018
Encampment, A Guide to the Field, Mountain Dale, NY
Declaration, Institute for Contemporary Art at Virginia Commonwealth University, Richmond, VA 
Not Standing Still, Blue Oyster Art Project Space, Dunedin, New Zealand
2017
Animal Magnetism, Wave Pool, Cincinnati, OH 
Of Land and Local 2017, Burlington City Arts, Burlington, VT
2016 
Explode Every Day: An Inquiry Into the Phenomena of Wonder, MASS MoCA, North Adams, MA
EnterState: Sensing the Natural World, Washington Project for the Arts, Washington, DC
2015
New Dominion, Mixed Greens, New York, NY

Queensize - Female Artists from the Olbricht Collection, me Collectors Room, Berlin, Germany 
Symphony of Hunger: Digesting Fluxus in Four Movements, A plus A Gallery, Venice, Italy
Be(e)ing, The Complex(ity) Project Space, Narrowsburg, NY
Going Somewhere, 1708 Gallery, Richmond, VA
WPA Select Exhibition and Auction, Artisphere, Arlington, VA
2014
Works on View, Temple Contemporary, Philadelphia, PA
Friend of a Friend, Loveytown, Madison, WI
Thirst, Proteus Gowanus, Brooklyn, NY
2013
Weather Permitting, 9th Mercosul Biennial, Porto Alegre, Brazil
One Minute Video Festival: 10 Years, MASS MoCA, North Adams, MA
2012    
N2NM: Exchange, N2NM, Santa Fe, NM
Weather Report, SP Weather Station, Flux Factory, Queens, NY
Friends of Freiheit, North Adams, MA
2011
Hive Culture, Wave Hill, Bronx, NY 
2010  
An Exchange with Sol LeWitt, MASS MoCA, North Adams, MA
Renovating Walden, Tufts University Art Gallery, Medford, MA
Science Fair, Flux Factory, Queens, NY
Makers Market, Socrates Sculpture Park, Queens, NY
I Am Amen, Austin Peay University Gallery, Clarksville, TN
2009  
Makers Market, Sculpture Park, Queens, NY
2008  
Mildred’s Lane, Alexander Gray Associates, New York, NY
3D Multiples: The Object of Production, 1708 Gallery, Richmond, VA
2007  
Schnitzer Exhibition, Wiesner Gallery, MIT, Cambridge, MA
Launch: New Work in a New Space, MIT Visual Arts Program, Cambridge, MA   
2006    
Sylvia Rivera Law Project Art Opening, Orchard, New York, NY
An Ex-Ode to the Corporeal Conversation, Santa Barbara Contemporary Arts Forum, Santa Barbara, CA; Mildred's Lane, Beach Lake, PA
6: New Projects from the MIT Visual Arts Program, Space Other, Boston, MA   
2005    
Pattern Language, Tufts University Art Gallery, Medford, MA; Southeastern Center for Contemporary Art, Winston-Salem, NC; Frederick R. Weisman Museum, Minneapolis, MO; Krannert Art Museum, Champaign, IL
Can I Get a Witness, Longwood Arts Project, Bronx, NY
Factory Direct: New Haven, ArtSpace, New Haven, CT
2004  
Multiple Strategies, Contemporary Arts Center, Cincinnati, OH
Field: Science Technology and Nature, Socrates Sculpture Park, Queens, NY
2003    
Work Ethic, The Baltimore Museum of Art, Baltimore, Maryland; Des Moines Art Center, Des Moines, Iowa; Wexner Center for the Arts, Columbus, OH
24/7, Contemporary Art Center, Vilnius, Lithuania 
2002    
Heart of Gold, MoMA PS1, Queens, NY
Designtex, Climatex® Lifecycle™, Installation for Designtex Inc. Screening of The Next Industrial Revolution, Solomon R. Guggenheim Museum, New York, NY
Made by Nature, Dorsky Gallery Curatorial Programs, Queens, NY
2001  
5.5, Real Art Ways, Hartford, CT
Bearded Lady, Video Lounge, The Fabric Workshop and Museum, Philadelphia, PA
2000    
Greater New York, New Art in New York Now, MoMA PS1, Queens, NY
Fido Television, Hunter College Times Square Art Gallery, New York, NY
La Ville, Le Jardin, La Memoire, La Folie, Villa Medici, Rome, Italy
Bearded Lady, KW Institute for Contemporary Art, Berlin, Germany
Bearded Lady, John Gibson Gallery, New York, NY
1999    
Dope. An XXX-Mas Show, American Fine Arts, Co., New York, NY

PERFORMANCES AND WORKSHOPS
2023

Breathe Series, Wexner Center for the Arts, Columbus, OH (upcoming)

2022

Box in a Pocket, Bug in a Rug, Sam Fox School of Design & Visual Arts, Washington University in St. Louis, Saint Louis, MO

2021

Air Patterns, Collaboration with Senghor Reid and Nitika Achalam, InLight, 1708 Gallery, Richmond, VA

Meditation Ocean Script-Writing, "Forest–Body–Chair" Session, Mildred's Lane, Beach Lake, PA

2020

Land Dive Team: Smith College, Smith College Art Department and Arts Afield, Northampton, MA

Land Dive Team: Tarpon Springs, Collaboration with Composer Joshua Quarles, University of South Florida Contemporary Art Museum, Tampa, FL

2019

Pignut Floats, “Pignut Pond” Session, Mildred’s Lane, Beach Lake, PA

2018 

Land Dive Team: Amphibious James, With Composer Joshua Quarles, Festival of the River, Institute for Contemporary Art at Virginia Commonwealth University and Richmond Symphony, Richmond, VA
Artist's Choice: Hope Ginsburg, Institute for Contemporary Art at Virginia Commonwealth University, Richmond, VA
Land Dive Team Miami: Sea Arm, Nomad/9 Interdisciplinary MFA, Miami, FL
2017
Coralgarden: Making a Maker Workshop, Tang Museum, Saratoga Springs, NY
Ten Minutes of Breathing on Land, MASS MoCA, North Adams, MA
2016
Land Dive Team: Marfa, Inquiry Pop-up, Marfa, TX
2015
Physical Education: Land Dive Team, Creative Time Summit, Brooklyn, NY
Land Dive Team: Future Pond Site, Mildred's Lane, Landscape Experience Session, Mildred's Lane, Beach Lake, PA
Duet for Scuba and Saxophone, Collaboration with Joshua Quarles, In the Glow of a Breathing Sphere, Fridman Gallery, New York, NY
2014
Amphibious Breathing, Mildred's Lane and the Mildred Complex(ity), Beach Lake, PA
Objects in Transition, Artist-Led Immersion, Museum of Modern Art, New York, NY
Hydrogen Bonding, Workshop with Laura Sansone, Proteus Gowanus, Brooklyn, NY
2013  
The Oldest Textile Process, The First Multicellular Animal & A Thing About Collectivity: What We Learn by Making, 10th Annual European Academy of Design Conference, Gothenburg, Sweden
Felt Case Study #1: The Material is the Metaphor is the Material, Tasmeem Doha 2013: Hybrid Making, Doha, Qatar
2012  
MoMA Studio: Common Senses, Museum of Modern Art, New York, NY
Pastoral Ideal, Market Reality or Pastoral Reality, Market Ideal: A Town & Country Charrette, Mildred’s Lane, Beach Lake, PA
Footwork: A Collective Rug-making Project, Anderson Gallery, Richmond, VA
Feltmaking for Nomads, The Aldrich Contemporary Art Museum, Ridgefield, CT
2011  
Other Pedagogies & The Phylum Porifera, Sponge HQ, Anderson Gallery, Richmond, VA
Feltmaking for Nomads, Anderson Gallery, Richmond, VA
Feltmaking for Nomads, Mildred’s Complexity, Mildred’s Lane, Beach Lake, PA
Water / Sponge, SP Weather Station, Flux Factory, Queens, NY
Feltmaking for Nomads, Socrates Sculpture Park, Queens, NY
Feltmaking for Nomads, Trade School, New York, NY
2010  
I Am Amen, Austin Peay University, Clarksville, TN
Radical Apiary, Mildred’s Lane, Beach Lake, PA
2009  
Retail 21c. Phase II, Mildred’s Lane, Beach Lake, PA
QMA Non-Gala, Queens Museum of Art, Queens, NY
2008    
Retail 21c. Phase I, Mildred’s Lane, Beach Lake, PA
2004    

Spring Hills Farm, In Practice, SculptureCenter, Queens, NY

The Novelty Project, Wexner Center for the Arts, Columbus, OH

2003      
Putting It Together, Andrew Kreps Gallery, New York, NY

SCREENINGS
2021

Hic et Nunc, Video Art Miden, Kalamatas, Greece

2020

Togetherness stories for healing (with) the Ocean, TBA-21 Academy, Ocean-Space.org

2019

Hic et Nunc, FIVAC International Festival of Video Art, Camagüey, Cuba
2018     
Infinity Retrospective Video Screening, Skowhegan Program Space, New York, NY          
Hic et Nunc, La Bottega, Marina di Pietrasanta, Italy; Field Projects, New York, NY
2017                
Mayday! Mayday! Mayday!, Skowhegan Program Space, New York, NY

2001

Bearded Lady, Video Screening, Care Of Gallery, Milan, Italy

 
LECTURES AND PANELS
2023

Director’s Dialogue on Art and Social Change, Wexner Center for the Arts, Columbus, OH

(upcoming)

Artist’s Talk [Working title], Wexner Center for the Arts, Columbus, OH (upcoming)

2022

New Earthworks Roundtable with Desert ArtLAB + Hope Ginsburg, Arizona State University

Art Museum, Tempe, AZ (online)

Fox Fridays Lecture: Hope Ginsburg, Sam Fox School of Design & Visual Arts, Washington University in St. Louis, Saint Louis, MO

Art, Climate Science, and the Social Condition, Global Arts + Humanities Society of Fellows Program, The Ohio State University, Columbus, OH (online)

2021

Visiting Artist, Southern Connecticut State University, New Haven, CT

Poster Session, Meditation Ocean, Summer Research Institute: “The Mind, the

Human-Earth Connection, and the Climate Crisis”, Mind & Life Institute, Charlottesville, VA (online) 

Panelist, Meditation Ocean: Art, Wellness, and Ecosystems, Wexner Center for the Arts,

Columbus, OH (online)

Visiting Artist, Art & Environment Class, Mount Holyoke College, South Hadley,

MA (online)

2020

Meditations on Amphibiousness, UdK Berlin/Inter-University Center for Dance, Berlin, Germany (online)

Visiting Artist, Smith College, Northampton, MA

Artist Talk with Hope Ginsburg, Leepa-Rattner Museum of Art, Tarpon Springs, FL

Rising Above: Art and Climate Resiliency, Moderated by Sarah Howard, University of South Florida Contemporary Art Museum, Tampa FL

Sponge Exchange, Gallery Talk, University of South Florida Contemporary Art Museum, Tampa, FL

2019 

Kennedy Family Artist in Residence Lecture, University of South Florida School of Art & Art History, Tampa, FL

Accidental Authority: A Conversation with Nontsikelelo Mutiti and Hope Ginsburg at the Arts Resarch Institute, Virginia Commonwealth University School of the Arts, Richmond, Virginia

Kennedy Family Visiting Artist, University of South Florida School of Art & Art History, Tampa, FL

Visiting Artist, Vermont Studio Center, Johnson, VT
2018
Visiting Artist, Digital + Media, RISD, Providence, RI
Visiting Artist, Columbus College of Art and Design, Columbus, OH
Destroy then Restore, Kahn Fellowship, Smith College, Northampton, MA
Skowhegan Exchange Artist, University of Maine, Orono, ME 
2017
Care as Culture: Artists, Activists and Scientists Build Coalitions to Resist Climate Change: A Convening Around the Peace Table, Queens Museum, New York, NY
2016    
Visiting Artist, College of the Atlantic, Bar Harbor, ME
Location Matters: Artist Driven Environments for Learning, Wexner Center for the Arts, Columbus, OH
Visiting Artist, Vermont Studio Center, Johnson, VT 
2015
Creative Time Summit, The Curriculum NYC, Brooklyn, NY
Creative Time Summit, The Curriculum at La Biennale di Venezia, Venice, Italy
What we Learned at Sponge HQ, Open Engagement, Pittsburgh PA
Distinguished Alumni Lecture, Tyler School of Art, Philadelphia, PA
2014
Panelist, Art and Education in the 21st Century, The Crystal Bridges Summit: Insights from a Changing America, Crystal Bridges Museum of American Art, Bentonville, AR
Visiting Artist, Temple Contemporary, Tyler School of Art, Philadelphia, PA
2013    
Visiting Artist, Brigham Young University, Provo, UT
Speaker and Panelist, Cloud Formations, Pedagogical Program of the 9th Mercosul Biennial, Porto Alegre, Brazil
Hybrid Practices, College Art Association National Conference, New York, NY
A General Theory of Last Night, College Art Association National Conference, New York, NY
2012    
Radius, Professional Practice Series on Artist Residencies, The Aldrich Contemporary Art Museum, Ridgefield, CT
Speed Networking, Portfolio Review, ArtSpace, New Haven, CT
Washington & Lee University, Lexington, VA
2011
Toolkit for a Sustainable Life in the Arts, Virginia Commonwealth University, Richmond, VA
2010  
Nova Scotia College of Art and Design University, Halifax Nova Scotia, Canada
2009  
Yes: The Persistence of Optimism, Tang Museum, Saratoga Springs, NY
2008    
Bauhaus University, Weimar, Germany
Southern Methodist University, Dallas, TX
Art Schools Take the Lead: Creating Model Venues for Transdisciplinary Collaboration, Herron School of Art and Design, Indianapolis, IN
2007    
Virginia Commonwealth University, Richmond, VA
Art Interactive, Cambridge, MA
2005    
Factory Direct, New Haven Colony Historical Society, New Haven, CT
2004    
Artists at Work: Playing with Process, or How Life Becomes Art, Wexner Center for the Arts, Columbus, OH
The Artist as Model of the Self-Motivated Learner, Wexner Center for the Arts, Columbus, OH
The Public is Invited, Center for Advanced Visual Studies, MIT, Cambridge, MA
Work Ethic, Gallery Talk, Des Moines Art Center, Des Moines, IA
Design Imitates Nature, Imitates Art, Imitates Life, Imitates Design, Brooklyn Designs, Brooklyn, NY
Maine College of Art, Portland ME
2003  
The Baltimore Museum of Art, Baltimore, MD
2002  
Heart of Gold, Sixteen Beaver Group, New York, NY
2001     
Discussion Series, Sixteen Beaver Group, New York, NY


BIBLIOGRAPHY

Travis Diehl, “Haunt, Graft, Recast: ‘New Earthworks’ at the Arizona State University Art Museum,” Art in America, August 23, 2022.

Pablo Helguera, “Reading Assignments,” Beautiful Eccentrics, August 18, 2022.

Lynn Trimble, "New Generation of Land Artists Embodies a Call for Action," Hyperallergic, July 14, 2022.

"New Exhibit Explores Art as a Tool for Adaptation, Recovery at Laumeier Sculpture Park,” HEC Media, St. Louis, MO, February 15, 2022.

Jennifer Lange, “Film/Video Studio Journals: Hope Ginsburg,” In Practice, Wexner

Center for the Arts, Fall 2021. 12–13.

Sharlene Leurig and Jessica Gath, “Wish You Were Here: Postcards from the Future,” Orion Magazine Online Feature, Spring 2021.

Kerry Bickford, Pablo Guardiola, Michael Linares, Nicole Pollard, Noah Simblist, and

Stephanie Smith, eds., Artist in Residence. Beta-Local, ICA at VCU, Philadelphia

Contemporary, 2021. 10.

Sarah Urist Green, You Are an Artist: Assignments to Spark Creation. New York: Penguin Books, 2020. 229–232.

Antonia S. Krueger, “Art for a Warming World,” Creative Pinellas, February 19, 2020.

Sarah Howard, Sponge Exchange (catalog), University of South Florida Contemporary Art Museum, 2020.

Corina Apostol and Nato Thompson, eds., Making Another World Possible: 10 Creative Time Summits, 10 Global Issues, 100 Art Projects. London: Routledge, 2019. 277–278.

Mason Mills and Allison Benedict, “Land Dive Team: Amphibious James,” Virginia Public Media, Richmond, VA, September 22, 2019.

Akiko Busch, How to Disappear: Notes on Invisibility in a Time of Transparency. New York: Penguin Books, 2019. 199–200.

Jennifer McGregor, “Charting urgency and agency,” in Art, Theory and Practice in the Anthropocene, ed. Julie Reiss. Wilmington: Vernon Press, 2019. 72–73.

Emma Colón, “5 Artists Bridging Communities Across Difference,” A Blade of Grass Magazine, March 28, 2019.

Leila Ugincius, Optimistic and Tragic: A Glimpse of Coral Restoration,VCU News, March 26, 2019.

Sydney Cologie and Brynne McGregor, “Wex Moments 2018: Film/Video Studio artist Hope Ginsburg,” Wexner Center for the Arts, December 26, 2018.

Amanda Dalla Villa Adams, “Declaration,” Artforum, June 2018.

Karen Newton, “Deep Dive: Artist Hope Ginsburg Becomes One with the Sea,” Style Weekly, June 12, 2018.

Tim Dodson, “Performative Diving Piece Featured at Festival Honoring the James River,” Richmond Times-Dispatch, June 9, 2018.

Colleen Curran, “What to Expect at Richmond Symphony’s Three-Day Festival of the River This Weekend,” Richmond Times-Dispatch, June 6, 2018.

Kelly Crow, “A Provocative New Space for Art Emerges in Virginia,” The Wall Street Journal, March 24, 2018.

Hilarie Sheets, “New Contemporary Art Institute Reverberates in Richmond’s Historic Landscape,” The New York Times, March 8, 2018.

Denise Markonish, Explode Every Day: An Inquiry into the Phenomena of Wonder. London: Prestel, 2016. 50–51.

Ashley Kistler, “Roundup: Taking Stock of a Long History and the Anderson Gallery’s

Final Years,” in Anderson Gallery: 45 Years of Art on the Edge, eds. Ashley Kistler, Traci

Garland, and Michael Lease. Richmond: VCUarts, 2016. 21.

Sarah Urist Green, “Conjure a Studio,” for The Art Assignment, PBS Digital Studios, May 26, 2016.

Jessica Lynne, “From Climate Change to Race Relations, Artists Respond to Richmond, VA,” Hyperallergic, July 13, 2015.

me Collectors Room/Stiftung Olbricht, ed., Queensize: Female Artists from the Olbricht Collection, Berlin: argobooks, 2015. 110–111.

The September Collective, Symphony of Hunger, The Fifth Movement, A plus A

Gallery, 2015.

Harry Kollatz Jr., “I’ll be Seeing You,” Richmond Magazine, May 15, 2015.

Friend of a Friend, Lovey Town, Madison, Wisconsin, 2014.

Leila Ugincius, “Professor Relishes Rauschenberg Residency Experience,” VCU News, August 5, 2014.

Kerri-Lynn Reeves and Jenny Western, “The Heart of the Matter,” Craft Journal 7, no. 2, (Summer 2014): 44–47.

Weather Permitting, 9th Mercosul Biennial, Porto Alegre: Mercosul Biennial Foundation, 2013. 308–311.

Jason Simon, ed., The One Minute Film Festival 2003-2012, North Adams: Massachusetts Museum of Contemporary Art, 2013.

Pablo Helguera and Monica Hoff, eds., Pedagogy in the Expanded Field. Porto Alegre: Mercosul Biennial Foundation, 2011. 378-379.

Jennifer McGregor, Hive Culture, Wave Hill, 2011. 11.

Lauren O’Neill-Butler, “Hope Ginsburg CUE Art Foundation,” Artforum, Summer 2011.

Regine Basha, Hope Ginsburg, CUE Art Foundation, 2011.

Emily Sessions, “The Archaeology of Experience, CUE Art Foundation, 2011.

Hilary Wilder, “Interview,” Studio, Virginia Commonwealth University, Fall 2010.

Gary Robertson, “Art Students Find Inspiration in the Lab, VCU News Center, June 3, 2010.

Jean Lin, “First Annual Makers Market,” Otto, June 29, 2009.

Shonquis Moreno, “Weekend Fair: The Makers Market,” The Moment Blog, New York Times, June 24, 2009.

Paulette Roberts-Pullen, “Sponges at Solvent Space,” Style Weekly, February 20, 2008.

Tom Gresham, “Spongespace Project Revels in Curiosity,” VCU View, March 28, 2008.

“Dialogue: Art and Labor,” Art Journal, Winter 2005.

D’lynne Plummer, “Factory Direct: Collaborations in Art and Industry”, Art New England, June/July 2005.

Holland Cotter, “A Different Kind of Never-Never Land,” The New York Times, May 3, 2005.

Benjamin Genocchio, “Riffs and Experiments From 11 Young Artists,” The New York Times West Chester Edition, May 1, 2005.

Meral Agish, “The Factory: ArtSpace’s Industrial-Strength Show,” New Haven Advocate, March 31-April 6, 2005.

Judy Birke, “Clearly, 10 Artists Worked Overtime on ‘Factory Direct’,” The New Haven Register, February 6, 2005.

Jennifer Kollar, Factory Direct: New Haven, ArtSpace, 2005.

Ken Johnson, “Field: Science, Technology and Nature,” The New York Times, July 23, 2004.

T.J. Demos, “Work Ethic,” Artforum, February 2004.

Helen Molesworth, Work Ethic, Baltimore: The Baltimore Museum of Art, University Park: The Pennsylvania State University Press, October 2003. 146–148.

Mary Carole McCauley and Glenn McNatt, “Pass the Art, Please,” The Baltimore Sun, October 13, 2002.

Robert S. Mattison, Made By Nature, Dorsky Gallery Curatorial Programs, 2002.

“Heart of Gold”, Goings on About Town, The New Yorker, July 8, 2002.

Larissa Harris, Heart of Gold, P.S.1 Contemporary Art Center, 2002. 6–9.

Omer Fast, Fido Television, Hunter College Times Square Art Gallery, 2000. 5.

Intervista, Summer, 2000.

La Ville, Le Jardin, La Memoire, Villa Medici, 2000.

Alice Thorson, “Call it Now York,” The Kansas City Star, April 16, 2000.

Tom Devaney, “Bee Beard Sonnet,” Greater New York, New Art in New York Now, P.S.1 Contemporary Art Center, 2000.


PUBLICATIONS

“Meditations on Amphibiousness,” in Breathe, Janez Jansa and Sandra Noeth, eds.

Bielefeld: Transcript. (upcoming)

“Artist Folio,” in Anderson Gallery: 45 Years of Art on the Edge, Ashley Kistler, Traci

Garland, and Michael Lease, eds. Richmond: VCUarts, 2016. 176–179.

“The Oldest Textile Process, The First Multicellular Animal and a Thing About

Collectivity: What we Learn by Making,” Otto von Busch, ed. Design Journal Volume 17,

no. 3, 2013. 390–392.

“Colablablab,” in Pedagogy in the Expanded Field, Pablo Helguera and Monica Hoff, eds.

Porto Alegre: Mercosul Biennial Foundation, 2011. 378–379.

“Bearded Lady,” Intervista Magazine, Summer 2000.


ADVISORY BOARDS
2008 – Present
Mildred’s Lane
2004 – 2006
Center for Advanced Visual Studies, MIT

TEACHING
2007 – Present
Virginia Commonwealth University School of the Arts

Art Foundation Program and Department of Painting + Printmaking

Professor 2021 – Present

Associate Professor 2014 – 2021

Assistant Professor 2007 – 2014
2018, 2019
Art Instructor, Tools for Peace Annual Teen Summer Camp, Los Angeles, California
2018
Nomad Interdisciplinary MFA, Hartford Art School, Distinguished Practitioner, Miami, Florida

2017

Nomad Interdisciplinary MFA, Hartford Art School, Visiting Instructor, Oakland, California
2008 – 2011
Maine College of Art, Non-Resident Studio Instructor
2004
Vermont College of Fine Arts, Artist Teacher

EDUCATION

2007

Master of Science, Visual Studies, Massachusetts Institute of Technology
1996       
Bachelor of Fine Arts, Sculpture, Tyler School of Art
1995     
Temple University Rome