Anaïs Duplan, Hope Ginsburg, Melody Jue, Jennifer Lange
Meditation Ocean (gallery guide)
Wexner Center for the Arts, 2023
Sarah Howard
"Sponge Exchange, Hope Ginsburg" (exhibition text)
University of South Florida Contemporary Art Museum, 2020
Denise Markonish
"Explode Every Day: An Inquiry into the Phenomena of Wonder"
(excerpt from catalog essay)
MASS MoCA, 2016
pp. 50–51
Jennifer Lange
"Land Dive Team: Bay of Fundy" (exhibition text)
THE BOX, Wexner Center for the Arts, 2016
Annie Dell'Aria
"Deep Breathing: Annie Dell'Aria on Meditation Ocean"
Artforum, May 2023
Pablo Helguera
"Reading Assignments: Books that artists study, reference, and base works on."
Beautiful Eccentrics
August 18, 2022
Jennifer Lange
Film/Video Studio Journals: Hope Ginsburg
In Practice, Wexner Center for the Arts
Fall 2021
Emma Colón
"5 Artists Bridging Communities Across Difference"
A Blade of Grass Magazine
March 28, 2019
Sydney Cologie and Brynne McGregor
"Wex Moments 2018: Film/Video Studio artist Hope Ginsburg"
(Q&A)
Wexner Center for the Arts
December 26, 2018
Tim Dodson
"Performative Diving Piece Featured at Festival Honoring the James
River"
Richmond Times-Dispatch
June 9, 2018
Jessica Lynne
"From Climate Change to Race Relations, Artists Respond to
Richmond, VA" (review)
Hyperallergic, 2015
Corina L. Apostol and Nato Thompson, Editors
"Making Another World Possible: 10 Creative Time Summits, 10 Global Issues, 100 Art Projects"
Routledge, 2020
pp. 277–278
Amanda Tobin Ripley and Julia Harth
Winter / Spring 2023 Learning Guide
Wexner Center for the Arts, 2023
"Meditation Ocean: How Climate Justice is Explored through Underwater Meditation"
Interview with Hope Ginsburg
Wexner Center for the Arts
June 2024 (Recorded in November 2022)
Land Dive Team: Amphibious James
Television Program is a Production of VPM
Producer/Director: Mason Mills
Producer/Field Director: Allison Benedict
September 22, 2019
Art and Education in the 21st Century
Panelists: John Brown-Executive Director, Windgate Foundation; Tom
Finkelpearl-Commissioner, NYC Department of Cultural Affairs; Hope
Ginsburg-Artist and Educator; Moderator: Geoffrey Cowan- President,
The Annenberg Foundation Trust
Crystal Bridges Museum of American Art, 2014
5 Artists Bridging Communities Across Difference
This spring, we’re focusing on a defining characteristic of socially engaged art: its ability to bring diverse communities of collaborators together. Socially engaged art projects can help manifest a whole greater than the sum of its parts by creating a generative space for collaboration between different communities towards social change on a shared issue. Here, we’re highlighting five projects that illustrate this by connecting particularly unique ecosystems of partners. What kind of change can happen when day laborers work with app developers, for example, or when punk musicians team up with urban farmers?
1. No Such Place as America: bridging youth, police officers, and horses
Artist Melanie Crean is collaborating with Ebony Horsewomen, Inc., an equestrian center in Hartford, Connecticut; members of the Hartford Police Department; horses; and local high school students on the project No Such Place as America. At Ebony Horsewomen, youth equestrians and police officers use equine-assisted therapy techniques, involving performance-based tasks with specially trained horses, to communicate and work together nonverbally. The horses are the mediators in these exercises, creating the environment for the young people and officers to focus on body language, movement, and energy, and to ultimately create trust and mutual understanding between these groups.
2. Permacounterculture: bringing urban farmers and punk communities together
Artist Naoko Wowsugi connected urban farmers and the DC punk community in an ecological experiment, Permacounterculture, which takes its name and inspiration from the practice of permaculture. Wowsugi and urban farmers in DC cultivated wheatgrass and installed the plant beds in a performance space, where the growth of the wheatgrass was stimulated by a combination of sound waves from live punk music in the space and CO₂ exhalation from audiences. A symbol of the strength and generative nature of local DC cultures coming together, the wheatgrass was juiced and served to audiences.
3. Apps for Power: connecting day laborers and app developers
Artist and educator Sol Aramendi connected New York City day laborers, community organizers, artists, lawyers, and computer programmers to collaboratively develop the Jornaler@ App. The smartphone-based app is a networking platform and record-keeping tool for day laborers that allows users to safely identify and report harmful employers, share information, and seek legal aid. The app helps fight wage theft and exploitation in the jornaler@ (day laborer) community by creating transparency and helping users hold employers accountable.
4. Land Dive Team: Amphibious James: connecting musicians, divers, and a river
Artist Hope Ginsburg’s project Land Dive Team: Amphibious James combined marine scientists, divers, musicians, and local ecology to create a performance and group meditation focused on promoting environmental awareness at the James River in Virginia. The site-specific performance incorporated sound recordings of the species living in and around the James River—some of them captured live by SCUBA divers in the river—encouraging listening as a form of mindfulness, and helping performers and audiences notice and connect with the river in the face of a radically changing climate.
5. Primitive Games: convening gun users and victims of violence
Artist Shaun Leonardo brought together four groups each with a different relationship to guns and gun violence into a series of movement workshops culminating in a performance, Primitive Games. Groups consisted of recreational firearms users, law enforcement officials, victims of gun or street violence, and military veterans. Through the workshops, the four groups worked separately to translate their personal narratives of gun use or gun violence into nonverbal gestures. In the culminating performance, the groups came together to nonverbally debate each other using their movement-based expression, creating a space for both disagreement and understanding.
Emma Colón
"5 Artists Bridging Communities Across Difference"
A Blade of Grass Magazine
March 28, 2019