FELLOWSHIPS, GRANTS, RESIDENCIES
2017
Rauschenberg Residency (upcoming)
2016  
Film/Video Studio Program, Wexner Center for the Arts 
2014
Rauschenberg Residency
2013
The Harbor, Beta-Local
2011 
Art Matters Foundation
2007   
The Harold and Arlene Schnitzer Prize in the Visual Arts, MIT
Laya and Jerome B. Wiesner Student Art Award, MIT
Council for the Arts, MIT
1997         
Skowhegan School of Painting and Sculpture

SOLO EXHIBITIONS AND PROJECTS
2016
Land Dive Team: Bay of Fundy, The Box, Wexner Center for the Arts, Columbus, Ohio 
Breathing on Land: Bay of Fundy, Temple Contemporary, Distinguished Alumni Mentoring Exhibition, Philadelphia, Pennsylvania
2015
Land Dive Team, The Complex(ity) Project Space, Narrowsburg, New York 
2010 – 2015
Sponge HQ, Anderson Gallery, Richmond, Virginia
2014
Commissioned Indoor Observation Beehive, Collaboration with Eric Stepp, Temple Contemporary, Philadelphia, Pennsylvania
2011
Hope Ginsburg, CUE Art Foundation, New York, New York 
2009    
Center Sponge, Center for Advanced Visual Studies, Cambridge, Massachusetts
Incident Report #23, Incident Report, Hudson, New York
2008  
Spongespace, Solvent Space, Richmond, Virginia
2007  
Sponge CPW, MIT, Cambridge, Massachusetts
Sponge IAP, MIT, Cambridge, Massachusetts
2005    
Double Dare, Julia Friedman Gallery, New York, New York
2000  
Recent Work, Parlour Projects, Brooklyn, New York

SELECTED GROUP EXHIBITIONS AND PROJECTS
2017
Declaration, Institute for Contemporary Art at Virginia Commonwealth University, Richmond, Virginia (upcoming)
Mayday! Mayday! Mayday!, Skowhegan Program Space, New York, New York
2016
Explode Every Day: An Inquiry Into the Phenomena of Wonder, MASS MoCA, North Adams, Massachusetts 
EnterState: Sensing the Natural World, Washington Project for the Arts, Washington, DC
2015
New Dominion, Mixed Greens, New York, New York
Queensize - Female Artists from the Olbricht Collection, me Collectors Room, Berlin, Germany 
Symphony of Hunger: Digesting Fluxus in Four Movements, A plus A Gallery, Venice, Italy
Be(e)ing, The Complex(ity) Project Space, Narrowsburg, New York
Going Somewhere, 1708 Gallery, Richmond, Virginia
WPA Select Exhibition and Auction, Artisphere, Arlington, Virginia
2014
Works on View, Temple Contemporary, Philadelphia, Pennsylvania
Friend of a Friend, Loveytown, Madison, Wisconsin
Thirst, Proteus Gowanus, Brooklyn, New York
2013
Weather Permitting, 9th Mercosul Biennial, Porto Alegre, Brazil
One Minute Video Festival: 10 Years, MASS MoCA, North Adams, Massachusetts
2012    
N2NM: Exchange, N2NM, Santa Fe, New Mexico
Weather Report, SP Weather Station, Flux Factory, Queens, New York
Friends of Freiheit, North Adams, Massachusetts
2011
Hive Culture, Wave Hill, Bronx, New York 
2010  
An Exchange with Sol LeWitt, MASS MoCA, North Adams, Massachusetts
Renovating Walden, Tufts University Art Gallery, Medford, Massachusetts
Science Fair, Flux Factory, Queens, New York
Makers Market, Socrates Sculpture Park, Queens, New York
I Am Amen, Austin Peay University Gallery, Clarksville, Tennessee
2009  
Makers Market, Sculpture Park, Queens, New York
2008  
Mildred’s Lane, Alexander Gray Associates, New York, New York 
3D Multiples: The Object of Production, 1708 Gallery, Richmond, Virginia
2007  
Schnitzer Exhibition, Wiesner Gallery, MIT, Cambridge, Massachusetts
Launch: New Work in a New Space, MIT Visual Arts Program, Cambridge, Massachusetts   
2006    
Sylvia Rivera Law Project Art Opening, Orchard, New York, New York
An Ex-Ode to the Corporeal Conversation, Santa Barbara Contemporary Arts Forum, Santa Barbara, California; Mildred's Lane, Beach Lake, Pennsylvania
6: New Projects from the MIT Visual Arts Program, Space Other, Boston, Massachusetts     
2005    
Pattern Language, Tufts University Art Gallery, Medford, Massachusetts; Southeastern Center for Contemporary Art, Winston-Salem, North Carolina; Frederick R. Weisman Museum, Minneapolis, Minnesota; Krannert Art Museum, Champaign, Illinois
Can I Get a Witness, Longwood Arts Project, Bronx, New York
Factory Direct: New Haven, ArtSpace, New Haven, Connecticut
2004  
Spring Hills Farm, In Practice, SculptureCenter, Queens, New York   
Multiple Strategies, Contemporary Arts Center, Cincinnati, Ohio
Field: Science Technology and Nature, Socrates Sculpture Park, Queens, New York
2003    
Work Ethic, The Baltimore Museum of Art, Baltimore, Maryland; Des Moines Art Center, Des Moines, Iowa; Wexner Center for the Arts, Columbus, Ohio
24/7, Contemporary Art Center, Vilnius, Lithuania 
2002    
Heart of Gold, MoMA PS1, Queens, New York
Designtex, Climatex® Lifecycle™, Installation for Designtex Inc. Screening of The Next Industrial Revolution, Solomon R. Guggenheim Museum, New York, New York
Made by Nature, Dorsky Gallery Curatorial Programs, Queens, New York 
2001  
5.5, Real Art Ways, Hartford, Connecticut
Bearded Lady, Video Lounge, The Fabric Workshop and Museum, Philadelphia, Pennsylvania
Bearded Lady, Video Screening, Care Of Gallery, Milan, Italy
2000    
Greater New York, New Art in New York Now, MoMA PS1, Queens, New York
Fido Television, Hunter College Times Square Art Gallery, New York, New York
La Ville, Le Jardin, La Memoire, La Folie, Villa Medici, Rome, Italy
Bearded Lady, Kunst-Werke, Berlin, Germany
Bearded Lady, John Gibson Gallery, New York, New York
1999    
Dope. An XXX-Mas Show, American Fine Arts, Co., New York, New York

SELECTED WORKSHOPS / PERFORMANCES
2017
Coralgarden: Making a Maker Workshop, Tang Museum, Saratoga Springs, New York
Ten Minutes of Breathing on Land, MASS MoCA, North Adams, Massachusetts
2016
Land Dive Team: Marfa, Inquiry Pop-up, Marfa, Texas
2015
Physical Education: Land Dive Team, Creative Time Summit, Brooklyn, New York
Land Dive Team: Future Pond Site, Mildred's Lane, Landscape Experience Session, Mildred's Lane, Beach Lake, Pennsylvania 
Duet for Scuba and Saxophone, Collaboration with Joshua Quarles, In the Glow of a Breathing Sphere, Fridman Gallery, New York, New York
2014
Amphibious Breathing, Mildred's Lane and the Mildred Complex(ity), Beach Lake, Pennsylvania
Objects in Transition, Artist-Led Immersion, Museum of Modern Art, New York, New York
Hydrogen Bonding, Workshop with Laura Sansone, Proteus Gowanus, Brooklyn, New York
2013  
The Oldest Textile Process, The First Multicellular Animal & A Thing About Collectivity: What We Learn by Making, 10th Annual European Academy of Design Conference, Gothenburg, Sweden
Felt Case Study #1: The Material is the Metaphor is the Material, Tasmeem Doha 2013: Hybrid Making, Doha, Qatar
2012  
MoMA Studio: Common Senses, Museum of Modern Art, New York, New York
Pastoral Ideal, Market Reality or Pastoral Reality, Market Ideal: A Town & Country Charrette, Mildred’s Lane, Beach Lake, Pennsylvania
Footwork: A Collective Rug-making Project, Anderson Gallery, Richmond, Virginia
Feltmaking for Nomads, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
2011  
Other Pedagogies & The Phylum Porifera, Sponge HQ, Anderson Gallery, Richmond, Virginia
Feltmaking for Nomads, Anderson Gallery, Richmond, Virginia
Feltmaking for Nomads, Mildred’s Complexity, Mildred’s Lane, Beach Lake, Pennsylvania
Water / Sponge, SP Weather Station, Flux Factory, Queens, New York
Feltmaking for Nomads, Socrates Sculpture Park, Queens, New York
Feltmaking for Nomads, Trade School, New York, New York
2010  
I Am Amen, Austin Peay University, Clarksville, Tennessee
Radical Apiary, Mildred’s Lane, Beach Lake, Pennsylvania
2009  
Retail 21c. Phase II, Mildred’s Lane, Beach Lake, Pennsylvania
QMA Non-Gala, Queens Museum of Art, Queens, New York
2008    
Retail 21c. Phase I, Mildred’s Lane, Beach Lake, Pennsylvania
2004    
The Novelty Project, Wexner Center for the Arts, Columbus, Ohio
2003      
Putting It Together, Andrew Kreps Gallery, New York, New York

SELECTED LECTURES / PANELS
2017
Care as Culture: Artists, Activists and Scientists Build Coalitions to Resist Climate Change: A Convening Around the Peace Table, Queens Museum, New York, New York
2016    
Visiting Artist, College of the Atlantic, Bar Harbor, Maine
 Location Matters: Artist Driven Environments for Learning, Wexner Center for the Arts, Columbus, Ohio 
Visiting Artist, Vermont Studio Center, Johnson, Vermont 
2015
Creative Time Summit, The Curriculum NYC, Brooklyn, New York 
Creative Time Summit, The Curriculum at La Biennale di Venezia, Venice, Italy
What we Learned at Sponge HQ, Open Engagement, Pittsburgh Pennsylvania
Distinguished Alumni Lecture, Tyler School of Art, Philadelphia, Pennsylvania
2014
Panelist, Art and Education in the 21st Century, The Crystal Bridges Summit: Insights from a Changing America, Crystal Bridges Museum of American Art, Bentonville, Arkansas
Visiting Artist, Temple Contemporary, Tyler School of Art, Philadelphia, Pennsylvania 
2013    
Visiting Artist, Brigham Young University, Provo, Utah
Speaker and Panelist, Cloud Formations, Pedagogical Program of the 9th Mercosul Biennial, Porto Alegre, Brazil
Hybrid Practices, College Art Association National Conference, New York, New York
A General Theory of Last Night, College Art Association National Conference, New York, New York
2012    
Radius, Professional Practice Series on Artist Residencies, The Aldrich Contemporary Art Museum, Ridgefield, Connecticut
Speed Networking, Portfolio Review, ArtSpace, New Haven, Connecticut
Washington & Lee University, Lexington, Virginia
2011
Toolkit for a Sustainable Life in the Arts, Virginia Commonwealth University, Richmond, Virginia
2010  
Nova Scotia College of Art and Design University, Halifax Nova Scotia, Canada
2009  
Yes: The Persistence of Optimism, Tang Museum, Saratoga Springs, New York
2008    
Bauhaus University, Weimar, Germany
Southern Methodist University, Dallas, Texas
Art Schools Take the Lead: Creating Model Venues for Transdisciplinary Collaboration, Herron School of Art and Design, Indianapolis, Indiana
2007    
Virginia Commonwealth University, Richmond, Virginia
Art Interactive, Cambridge, Pennsylvania
2005    
Factory Direct, New Haven Colony Historical Society, New Haven, Connecticut
2004    
Artists at Work: Playing with Process, or How Life Becomes Art, Wexner Center for the Arts, Columbus, Ohio
The Artist as Model of the Self-Motivated Learner, Wexner Center for the Arts, Columbus, Ohio
The Public is Invited, Center for Advanced Visual Studies, Cambridge, Massachusetts
Work Ethic, Gallery Talk, Des Moines Art Center, Des Moines, Iowa
Design Imitates Nature, Imitates Art, Imitates Life, Imitates Design, Brooklyn Designs, Brooklyn, New York
Maine College of Art, Portland Maine
2003  
The Baltimore Museum of Art, Baltimore, Maryland
2002  
Heart of Gold, Sixteen Beaver Group, New York, New York
2001     
Discussion Series, Sixteen Beaver Group, New York, New York

INVITATIONAL SYMPOSIA
2011      
Creativity and Ingenuity, Haystack Mountain School of Craft, Deer Isle, Maine
Real Community Engagement, Creative Time, New York, New York
2009    
O Brave New World: Looking at Time, Making and Creativity, Haystack Mountain School of Craft, Deer Isle, Maine

SELECTED BIBLIOGRAPHY
Denise Markonish and Lawrence Weschler. Explode Every Day: An Inquiry into the Phenomena of Wonder. London: Prestel, 2016.
Ashley Kistler, Traci Garland and Michael Lease eds. Anderson Gallery: 45 Years of Art on the Edge. Richmond: VCUarts, 2016.
"Conjure a Studio", The Art Assignment, PBS Digital Studios
Jessica Lynne, "From Climate Change to Race Relations, Artists Respond to Richmond, VA", Hyperallergic, July 13, 2015
Queensize, Female Artists from the Olbricht Collection (catalog), me Collectors Room, 2015
Kerri-Lynn Reeves and Jenny Western, "The Heart of the Matter", Craft Journal, Volume 7, no. 2, 2015
The September Collective, Symphony of Hunger, The Fifth Movement (catalog), A plus A Gallery, 2015
Harry Kollatz Jr., "I'll be Seeing You", Richmond Magazine, May 15, 2015
Friend of a Friend (catalog), Lovey Town, Madison, Wisconsin, 2014
Leila Ugincius, "Professor Relishes Rauschenberg Residency Experience", VCU News, August 5, 2014
Hope Ginsburg, "The Oldest Textile Process, The First Multicellular Animal and a Thing About Collectivity: What we Learn by Making"; Otto von Busch ed. Design Journal Volume 17, no. 3, 2013
Weather Permitting (catalog), 9th Mercosul Biennial, Mercosul Biennial Foundation, Porto Alegre, Brazil, 2013
Jason Simon ed., The One Minute Film Festival 2003-2012, North Adams: Massachusetts Museum of Contemporary Art, 2013
Pablo Helguera and Monica Hoff eds., Pedagogy in the Expanded Field (pp. 378-379). Porto Alegre: Mercosul Biennial Foundation, 2011
Jennifer McGregor, Hive Culture (catalog), Wave Hill, 2011
Lauren O’Neill-Butler, “Hope Ginsburg CUE Art Foundation” (review), Artforum, Summer, 2011
Regine Basha, Hope Ginsburg, CUE Art Foundation (catalog), 2011
Hilary Wilder, “Interview”, Studio, Virginia Commonwealth University, Fall 2010
Gary Robertson, "Art Students Find Inspiration in the Lab", VCU News Center, June 3, 2010
Andrew Wagner, “A Market Full of Makers Brave the Storm”, ReadyMade.com, July 1, 2009
Jean Lin, “First Annual Makers Market”, otto-otto.com, June 29, 2009
Shonquis Moreno, “Weekend Fair: The Makers Market”, The Moment Blog, New York Times, June 24, 2009
Stephanie Meissner, “Gone to Market: The First Annual Makers Market", americancraftmag.org, June 15, 2009 
Paulette Roberts-Pullen, “Sponges at Solvent Space”, Style Weekly, February 20, 2008
Tom Gresham, “Spongespace Project Revels in Curiosity”, VCU View, March 28, 2008
“Dialogue: Art and Labor”, Art Journal, Winter 2005
D’lynne Plummer, “Factory Direct: Collaborations in Art and Industry”, Art New England, June/July 2005
Holland Cotter, “A Different Kind of Never-Never Land” (review), The New York Times, May 3, 2005
Benjamin Genocchio, “Riffs and Experiments From 11 Young Artists” (review), The New York Times West Chester Edition, May 1, 2005
Meral Agish, “The Factory: ArtSpace’s Industrial-Strength Show” (review), New Haven Advocate, March 31-April 6, 2005
Judy Birke, “Clearly, 10 Artists Worked Overtime on ‘Factory Direct’” (review), The New Haven Register, February 6, 2005
Jennifer Kollar, Factory Direct: New Haven (catalog), ArtSpace, 2005
Ken Johnson, “Field: Science, Technology and Nature” (review), The New York Times, July 23, 2004
T.J. Demos, “Work Ethic” (review), Artforum, February 2004
Helen Molesworth, Work Ethic, Baltimore: The Baltimore Museum of Art, University Park: The Pennsylvania State University Press, October 2003.
Mary Carole McCauley and Glenn McNatt, “Pass the Art, Please” (review), The Baltimore Sun, October 13, 2002
Robert S. Mattison, Made By Nature (catalog), Dorsky Gallery Curatorial Programs, 2002
“Heart of Gold”, Goings on About Town, The New Yorker, July 8, 2002
Larissa Harris, Heart of Gold (catalog), P.S.1 Contemporary Art Center, 2002
Omer Fast, Fido Television (catalog), Hunter College Times Square Art Gallery, 2000
Intervista, Summer, 2000
La Ville, Le Jardin, La Memoire (catalog), Villa Medici, 2000
Alice Thorson, “Call it Now York” (review), The Kansas City Star, April 16, 2000
Tom Devaney, “Bee Beard Sonnet”, Greater New York, New Art in New York Now (catalog), P.S.1 Contemporary Art Center, 2000

COLLECTIONS
The Olbricht Collection, Essen, Germany
Vescom, Deurne, Netherlands

ADVISORY BOARDS
2008 – present
Mildred’s Lane
2004 – 2006
Center for Advanced Visual Studies, MIT

TEACHING
2007 – present
Virginia Commonwealth University, Art Foundation Program, Department of Painting + Printmaking
Associate Professor 2014 – present
Assistant Professor 2007 – 2014
2017
Nomad/9 Interdisciplinary MFA, Hartford Art School, Oakland, California
Instructor, Critique Exchange
2008 – 2011
Maine College of Art
Non-Resident Studio Instructor
2004
Vermont College of Fine Arts
Artist Teacher

EDUCATION
2007
Master of Science, Visual Studies, Massachusetts Institute of Technology
1996       
Bachelor of Fine Arts, Sculpture, Tyler School of Art
1995     
Temple University Rome
 

 

 
 
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